THE SYMBOLS OF THIS SYSTEM IS "ANTI-  JEHOVAH"

Figures #1, and #6, are copied from an ancient Rosary of the Blessed Virgin Mary, printed at Venice, 1524, with a license from the Inquisition; the book being lent to me by my friend, Mr. Newton. The first represents the same part as the Assyrian "grove." It may appropriately be called the Holy Yoni. The book in question contains numerous figures, all resembling closely the Mesopotamian emblem of Ishtar. The presence of the woman therein identifies the two as symbolic of Isis, or la nature; and a man bowing down in adoration thereof shows the some idea as is depicted in Assyrian sculptures, where males offer to the goddess symbols of themselves.

If I had been able to search through the once celebrated Alexandrian library, it is doubtful whether I could have found any pictorial representation more illustrative of the relationship of certain symbolic forms to each other than is Figure #6. A circle of angelic heads, forming a sort of sun, having luminous rays outside, and a dove, the emblem of Venus, dart a spear (la pique) down upon the earth (la terre), or the virgin. This being received, fertility follows. In Grecian story, Ouranos and Ge, or heaven and earth, were the parents of creation; and Jupiter cane from heaven to impregnate Alcmena. The same mythos prevailed throughout all civilised nations. Christianity adopted the idea, merely altering the names of the respective parents, and attributed the regeneration of the world to "holy breath" and Mary.

Figure #2 upper part. It is the albe worn by Ronan and other ecclesiastics when officiating at mass, etc. It is simply a copy of the chemise ordinarily worn by women as an under garment.

Figure #2, beneath, represents the chasuble warn by papal hierarchs. It is copied from Pugin's Glossary, etc. Its form is that of the vesica piscis, one of the most common emblems of the yoni. It is adorned by the triad. When worn by the priest, he forms the male element, and with the chasuble completes the sacred four. When worshipping the ancient goddesses, whom Mary has displaced, the officiating ministers clothed themselves in feminine attire. Hence the use of the chemise, etc. Even the tonsured head, adopted from the priests of the Egyptian Isis, represents "l' anneau;" so that on head, shoulders, breast and body, we may see on Christian priests the relics of the worship of Venus, and the adoration of woman! How horrible all this would sound if, instead of using veiled language, we had employed vulgar words. The idea of a man adorning himself, when ministering before God and the people, with the effigies of those parts which mature as well as civilisation teaches us to conceal, would be simply disgusting, but when all is said to be mysterious and connected with hidden signification, almost everybody tolerates and many eulogise or admire it!

Figures #3, and #4. Mandorla: "Almond," the pointed-oval sign of the yoni, used in Oriental art to signify the divine female genital; also called vesica piscis. the Vesel of the Fish. Almonds were holy symbols because of their female, yoni connotations. Almonds had the power of virgin motherhood, as shown by the myth of Nana, who conceived the god Attis with her own almond. The candlestick of the Jews' tabernacle of the ark was decorated with almonds for their fertility magic. Christian art similarly used the mandorla as a frame for figures of God, Jesus, and saints because the artists forgot what it formerly meant.

Figure #5 Sheila-Na-Gig: Female figures prominently displaying the yoni as a vesica piscis were once common ornaments of Irish churches built before the sixteenth century. As a rule the sheila-Na-Gig was carved into the keystone of a window or doorway arch.  Undoubtedly it was a protective sign left over from pro-Christian Goddess worship. Figures of the same type were found throughout Europe as cathedral decorations, on the capitals of columns, at the ends of ceiling beams, and so forth. Irish churchmen got rid of as many sheila-na-gig figures as possible, though some still remain in or near their original places. Others have found resting places (or hiding places) in the Dublin Museum.

An image (god) in creation. Notice the idea of man with the serpent and the fingers. The female goddess is carrying a flower (see the roots). There are other symbols but not shown here.

Notice the vestures of the pagans god's priest. Even if he is caring a "Book",  is it a "Pagan Book" or of the "Enemy" (Jesus)?

#8

Here god is in State. Notice the fingers, the water of life from the  head, the sun symbol, differences of what they are wearing (rings, beads, etc.), differences of genders, etc. Other symbols not shown. All gods says, "Have no other god but me."

BBBBB       Found in this book. "Thomas Inman ANCIENT PAGAN AND MODERN CHRISTIAN SYMBOLISM (1915)        BBBBBB

Notice the "new movement" on the right hand fingers.

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Sabbatic Goat :
The goat-like figure had been used as a representation of various Pagan gods for thousands of years;  Such an image, also led to the popular "look" of Christian Satan, which accumulated during the centuries following Christianity's birth (and whose usage became one of the methods of eliminating remaining Pagan religions and establishing the dictatorship of Christianity).  The horned god, or Satan, also became the subject of worship of medieval Satanists, as a response to Christian tyranny. (The Holy inquisition in particular).  During the 19th century, magician/priest Eliphas Levi created this famous print of the Sabbatic Goat, which has hermaphroditic qualities: one arm is masculine, the other is feminine; the goat has breasts of a woman with a phallic object on its lap.  In general, this image, most likely, represents the dual (good/evil) nature of everything, since other parts of the picture seem to point out the same idea (One arm is pointing down, toward the dark crescent moon, another arm is pointing upward toward the white crescent moon). 

It has been told, that where the baby is not shown as a "man", it may be "female" (as shown).

Diana's cult was so widespread in the pagan world that early Christians viewed her as their major rival, which is why she later became "Queen of Witches." The Gospels commanded total destruction of all temples of Diana, the Great Goddess worshipped by "Asia and all the world" (Acts 19:27).

As Diana Egeria, patroness of childbirth, nursing, and healing, the Goddess make Nemi's holy spring the Lourdes of pagan Rome. The legendary King Numa was said to have derived all his wisdom from a sacred marriage with her.

THE SIGN LANGUAGE OF THE MYSTERIES.

Rosary